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The Prodigy is a British electronic group formed by Liam Howlett in 1990, in Braintree, Essex, England. Along with Orbital, The Chemical Brothers and The Crystal Method, as well as other acts they are pioneers of the big beat electronic dance genre which achieved mainstream popularity in the 1990s, and are known for high-quality live sets. They have sold over 16 million records worldwide which is unequalled in dance music history.[1]

Their music consists of various styles ranging from rave, hardcore, industrial and breakbeat in the early 1990s to electronic rock, big beat and nu skool breaks with punk vocal elements in later times. The current band members include Liam Howlett (composer/keyboards), Keith Flint (dancer/vocalist) and Maxim Reality (MC/vocalist). Leeroy Thornhill (dancer/very occasional live keyboards) was a member of the band from 1990 to 2000, as was a female dancer/vocalist called Sharky who left the band during their early period. The Prodigy first emerged on the underground rave scene in the early 1990s, and have since then achieved immense popularity and worldwide renown. Some of their most popular songs include "Charly", "Out of Space", "No Good (Start the Dance)", "Voodoo People", "Firestarter", "Breathe", "Smack My Bitch Up", "Omen" & "Warrior's Dance."

The name displayed on album covers changed from "The Prodigy" to "Prodigy" between Music for the Jilted Generation and The Fat of the Land in 1997 and back again with the release of Always Outnumbered, Never Outgunned in 2004. However, Howlett has stated that the title has always been "The Prodigy". The change was made only to fit within the displayed logo, according to Howlett.[2][3]

Experience

The Prodigy began with an initial 10-track demo by Liam Howlett, put together on a Roland W-30 music workstation in Essex, England. XL Recordings picked up the demo after Howlett played several tracks to XL boss Nick Halkes in a meeting and an initial 12" pressing of "What Evil Lurks" was released in February 1991. There are some few thousand bootlegs of this release; the original should have "the exchange" carved in the vinyl around the center of the single. The Prodigy's name was a moniker Liam had chosen as a tribute to his first analogue synthesiser, the Moog Prodigy.

The Prodigy's first public performance (with Howlett augmented by dancers Keith Flint and Leeroy Thornhill) was at the Four Aces in Dalston, London (then home to "Club Labrynth"). "Charly", released six months later, became a huge hit in the rave scene at the time, largely due to the popularity of AA-side track Your Love which was arguably more popular within the scene at the time. The release reached #3 in the UK Singles Chart, catapulting the band into the wider public attention. The Kaos Theory compilation series featured "G Force (Energy Flow)" from their third single "Everybody in the Place".

In the wake of Charly's success the music charts were filled with unsophisticated "hardcore" rave tracks to which speed and ecstasy-fuelled clubbers had danced all night, but which did not appeal to critics in the music press. Examples were tracks such as Urban Hype's "Trip to Trumpton", and Smart E's (as in Ecstasy) "Sesame's Treet", instigating death-by-publicity to the underground "hardcore rave" scene according to many critics, ravers and followers of the scene. As a result "Charly" (a contemporary reference to cocaine), with its memorable sample of the "Charley Says" children's Public information films and The Prodigy were briefly identified by critics as "kiddie rave" or "Toytown Techno".

"Charly" was soon followed by the band's first full length album, Experience, a landmark release in the history of British rave music. After Experience (album track "Death of the Prodigy Dancers" featured Ragga MC band member Maxim Reality) and the run of singles that accompanied it, the Prodigy moved to distance themselves from the "kiddie rave" reputation that now dogged them. The rave scene was beginning to move on from its hardcore phase, with the Criminal Justice Act's "anti-rave" legislation on the horizon. In 1993, Howlett released an anonymous white label, bearing only the title "Earthbound I". Its hypnotic, hard-edged sound won wide underground approval. Many former critics of the band were astounded when Howlett finally acknowledged responsibility for the record[4]. It was officially released as "One Love" later that year, and went on to chart at #8 in the UK.

Music for the Jilted Generation

In 1994, the Prodigy's second album, Music for the Jilted Generation, was released entering the UK album charts at #1. The album displayed a wider spectrum of musical style with heavy techno and breakbeat-based tracks complemented by the concept sequence The Narcotic Suite, and rock-oriented inclinations ("Their Law", featuring Pop Will Eat Itself). The album was nominated for a Mercury Music Prize although Howlett had reaffirmed his dedication to making The Prodigy a 'hard dance band', commercially successful but without compromise. The band managed to continue to prevent over-exposure in the media by refusing to appear on Top of the Pops or other TV shows in the UK. To this day their only studio appearance on British television came when they appeared on the BBC2 series Dance Energy in 1991 performing "Everybody in the Place". In the ensuing years their videos received a strong level of support by MTV Europe which boosted their popularity across the continent. Keith Flint himself hosted an episode of the MTV show 120 Minutes in 1995.

Following the international success of Music for the Jilted Generation the band augmented their line-up with guitarist Jim Davies (who, later, joined the group Pitchshifter) in 1995 for tracks such as "Their Law", "Break and Enter 95", and various live-only interludes and versions. He was soon to be replaced by Gizz Butt of the band Janus Stark who remained with the band for next three years .The 1996 release of "Firestarter", featuring vocals for the first time courtesy of a new-look Keith Flint, helped the band break into the U.S. and other overseas markets, and reached number one in the UK. In this year the Prodigy also headlined the prestigious Lollapalooza festival. "Firestarter"'s success was matched by the second single "Breathe" which gave the band their second number one single in the UK later that same year.

The Fat of the Land

The long-awaited third Prodigy album, The Fat of the Land, was released in 1997 just as the band headlined the Glastonbury festival on its opening night. Like its predecessors, the album represented a milestone in the development of both the band and the wider mainstream dance scene. Featuring simplified melodies, sparser sampling, and more sneering, punk-like vocals (supplied by a shockingly madeover Flint), the album nevertheless retained the bone-jarring breaks and buzzsaw synths so idiomatic of the band. The album cemented the band's position as one of the most internationally successful acts in the dance genre, entering the British and American charts at number one.

The Prodigy were getting considerable airplay on rock stations with their track "Smack My Bitch Up" — and also a negative backlash for the song. Time-Warner, Prodigy's parent company, was feeling the heat from the National Organization for Women (NOW) over the track. Although the song's lyrics are few but repetitive (in their entirety, the lyrics are "Change my pitch up, smack my bitch up"), NOW stated that the lyrics are a "...dangerous and offensive message advocating violence against women." Howlett responded to the attacks by claiming that the song's lyrics are being misinterpreted: (the song means) "...doing anything intensely, like being on stage – going for extreme manic energy." The band did not write the lyric, but rather sampled it from the classic Ultramagnetic MCs' track "Give The Drummer Some" which also appears on the Dirtchamber Sessions (they had also sampled another Ultramagnetic MCs song "Critical Beatdown" on their earlier "Out of Space" single).[5] There are also those who believe that the lyrics are in reference to administering heroin (smack) to another person. Several radio stations defended the song, yet only played the track at night. The music video (directed by Jonas Åkerlund) featured a first-person point of view of someone going clubbing, indulging in large amounts of drugs and alcohol, getting into fist fights with men, abusing women and picking up a lap dancer and having sex with her as well, all displaying the scenes extremely graphically. At the end of the video the camera pans over to a mirror, revealing the subject to be a woman. MTV only aired the video between 1 and 5 a.m. The director got the inspiration for the contents of the video after a night of drinking and partying in Copenhagen.

During a performance at the Reading Festival (August 29th, 1998) The Prodigy and the Beastie Boys had an onstage disagreement over the track - with the Beastie Boys requesting the song should be pulled from their set as it could be considered offensive to those who had suffered domestic abuse.[6] Choosing to ignore the Beastie Boys plea, Maxim introduced "Smack My Bitch Up" with the declaration "They didn’t want us to play this fucking tune. But the way things go, I do what the fuck I want". The incident has since become part of festival folklore, and was voted one of the greatest ever live moments by the now defunct Select Magazine.

Wal-Mart and Kmart later announced they would pull The Fat of the Land off their shelves. Despite the fact that the LP had resided on their store shelves for over 20 weeks, and the fact that they had sold 150,000 copies of the album in total, the two stores found the marketing campaign for the new single release offensive.

In mid-2002, the complete, unedited video was aired on MTV2 as part of a special countdown showing the most controversial videos ever to air on MTV. This countdown was only shown late at night because of the graphic imagery of "Smack My Bitch Up" and several other videos on the countdown. This video in particular was deemed the "Most Controversial Video" by MTV and showed at the #1 spot on the countdown.

1999 saw the release of The Prodigy's Dirtchamber Sessions Volume 1, a DJ mix album by Howlett, produced as an official record of a successful guest appearance on the British Radio 1.

In 2002, after a break from touring and recording, the single "Baby's Got a Temper" was released to critical disappointment. The song was written by Keith Flint's sideband, Flint, and also featured Jim Davies. Howlett produced it. Once again, the band courted controversy by including references to the so-called "date rape" drug Rohypnol in the song lyrics, although it is unclear whether or not the band "glorifies" or presents the drug in a negative light. In the same year, however, Q magazine named The Prodigy as one of the "50 Bands To See Before You Die".

Always Outnumbered, Never Outgunned

The Prodigy's fourth studio album, Always Outnumbered, Never Outgunned was released on 23 August 2004 (14 September 2004 in the USA.) A precursory and experimental single, "Memphis Bells", was released in very limited numbers, followed by the traditional release of the single "Girls". The U.S. version of the studio album contained a bonus track; a remix of "Girls" entitled, "More Girls".

5,000 digital copies of "Memphis Bells" were sold over the Internet. Each copy was a combination of customer-chosen instrumental, rhythmic, and melodic options, of which 39,600 (of 660,000 total) choices were available. Five mixes were sold in three file formats, WAV, two audio mixes in MP3, and a 5.1 DTS surround sound mix and all were free of Digital rights management. The experiment was a success, with the 5,000 copies being sold in just over 36 hours in spite of server problems from the demand.

In 2005, they released a compilation, Their Law: The Singles 1990-2005, which spawned a single containing new remixes of the songs "Out of Space" (the "Audio Bullys Remix") and "Voodoo People" (the "Pendulum Remix"). The latter was also followed by a music video filmed in Romford Market, Essex, which featured on the DVD release of the compilation. Sharky, the group's only female member, is shown running and winning the race depicted in the video.

The Prodigy's first two albums (1992's "Experience" and 1994's "Music for the Jilted Generation") were re-released in expanded, deluxe editions on August 4, 2008[7]. As well as being remastered, the new packages feature a bonus disc including mixes, rarities and live tracks. The two albums also feature expanded artwork in addition to the new musical content. The band also showcased 4 new songs at the Oxegen Festival in the early hours of July 13th; among the tracks previewed were "Worlds On Fire", "Warriors Dance", "Mescaline" and "First Warning", which recently featured in the gangster movie "Smokin' Aces" and as soundtrack in game "Need For Speed: Undercover".

Invaders Must Die

On November 5, 2008, It was announced that the band's fifth studio album would be called Invaders Must Die and would be released on the band's new label, Take Me to the Hospital.[8] in the USA on March 3, 2009[9]

The album features drummer Dave Grohl (Nirvana, Foo Fighters) on drums for "Run with the Wolves". The top five hit "Omen" and the "Invaders Must Die" tracks were co-produced with Does It Offend You, Yeah? frontman James Rushent. Sleeve notes show an a and r credit for Nick Halkes who signed the act to XL thus possibly linking with the clear references on the album to rave culture and the presence of the 'classic' Prodigy sound that seemed less present on the 'Always Outnumbered' album.

Invaders Must Die was released on February 21, 2009 in Australia and in Europe on February 23, 2009 charting at number one in the UK with week one sales of over 97,000 - a higher figure than for either 'Always Outnumbered..' or their singles collection. The album also charted top 5 in Germany and Australia. The single "Omen" debuted at #1 on the Canadian Singles Chart the week of February 25th, 2009.

European release includes 11 tracks audio CD and a DVD disc with the videos "Invaders Must Die", "Omen" and live video versions of "World's On Fire" and "Warriors's Dance" plus computer readable (HD data for Microsoft Windows and Mac OS X) HD version of the video "Invaders Must Die".

Members

Current members

• Liam Howlett – Keyboards, Programming, Songwriter (1990 – present)
• Keith Flint – Dancer, Vocalist (1990 – present)
• Maxim Reality – MC, Vocalist (1990 – present)

Former members

• Leeroy Thornhill – Dancer, occasional live Keyboardist (1990 – 2000)
• Sharky – Vocalist, Dancer (1990)

Live members

• Leo Crabtree – Drummer (2008 - present)
• Rob Holliday – Live Guitarist (2005 – 2006, 2008 - present)

Former live members

• Kieron Pepper – Drummer, occasional Guitarist (1997-2007)
• "The Rev" – Guitarist (2007)
• "Snell" – Drummer, (July 2007)
• Brian Fairbairn – Drummer (2007)
• Jim Davies – Live and Studio Guitarist (1995 – 1996, 2002 – 2004)
• Alli Maclnnes – Guitarist (2001, 2002)
• Gizz Butt – Live Guitarist (1996 – 1999)

Discography

Studio albums

• 1992: Experience
• 1994: Music for the Jilted Generation
• 1997: The Fat of the Land
• 2004: Always Outnumbered, Never Outgunned
• 2009: Invaders Must Die

EPs

• 1991: What Evil Lurks
• 1995: Voodoo People
• 2002: Baby's Got a Temper
• 2004: Hotride
• 2009: Lost Beats

Compilations

• 1999: The Dirtchamber Sessions Volume One
• 2005: Their Law: The Singles 1990-2005

Selected Remixes

• Dream Frequency - Take me
• The Time Frequency - Retribution
• Baby D - Casanova
• Art of Noise - Instruments of Darkness
• Front 242 - Religion
• Jesus Jones - Zeroes and Ones
• Method Man - Release Yo 'Delf
• Oasis - Falling Down

24 Comments »

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Positive comments about "Always Outnumbered"

I came across this movie late one Sunday on HBO. I only got to see the last
hour of it, but I was astounded by how moving it was. I tracked down the
showtime and made time to watch it.This film is about Laurence Fishburne ‘s attempt to find a place in the
society that he left when he committed a terrible crime. There is a slight
tinge of Black angst, but that isn’t the main point. He could be any man,
trying to find a new home and dealing with his past. It takes a long time
before people come to accept Mr. Fortlow for what he is, a man in the true
sense of the word.He teaches us all a lesson in what it should be like to be a man. Be honest
and true to yourself. Deal fairly with others. Do an honest day’s work for
an honest day’s pay. Simple to say, hard to do when you are always
outnumbered

MWRuger from Houston, Texas - 24 July 2000

Very insightful and Rewarding

This is what I considered one on the more underrated films in our
time.It doesn’t happen very often where you actually take some type of a
lesson from a film. This one was able to do just that.This wasn’t a movie about an angry black man who felt life owed him
anything, it was just the opposite. It was about a man DOING something with
his life after spending time in prison. Rather than being a drain on
society, he worked for his money, and damn hard I must say. It didn’t
matter
what he did to earn it, just as long as it was legal. He also was able to
help a friend fill a void, another end his pain and help a child who needed
guidance.I know this movie was only fiction, but I wish our society were filled
with people like Socrates.

jtfsouth from St. Louis, Mo - 23 July 2000

Touching, Thoughtful Slice of life.

This is a compelling story of a man and his efforts in having principles
in an unprincipled world.
Socrates Fortlow is an ex-con released and struggling with a variety of
issues in Watts.
The different threads to this story range from heart breaking to
downright
thrilling.
The interesting thing about Lawrence Fishburne’s character is that while
he is a hero in his attitude, he is not an unblemished creature. He let’s
his emotions take him where he’d rather not be at times, much like most of
us. He reflects feelings like anger, frustration, loneliness, and regret in
very realistic fashion.
Bill Cobbs is also captivating as Socrates elderly friend. He does
double
duty as the infrequent, and unobtrusive, narrator.
The scene where Socrates confronts a flashy thief who shows contempt for
his average ways is a movie classic.
This is a must see movie in my opinion. You need not be an African
American to relate to this movie, just someone who fights with right and
wrong in his or her own life.
I wish Hollywood would put out sequels to fine movies like this instead
of
only action movies.

crodley-2 from Flint, Michigan - 7 May 2000

Brave and exceptional in many many ways

Ground breaking moral film running counter to the exploitative mainstream.
Deserves, and will probably receive, serious study
by film students for many years to come.I can only imagine this would have been the kind of rare, special
once-in-a-life-time project all who participated must feel pretty good
about.

david-376 - 2 November 1999

Socrates Fortlow teaches all of us something about life.

I’m writing this speaking as one of those who worked on this
film, in the capacity of Music Editor. This was one of the best
and most rewarding films I’ve ever worked on, and hope that more
people will get a chance to watch it. This film gently but
insistently brings us into the life of Socrates Fortlow, a man
who’s been to hell and back, and has much wisdom to pass on to
all of us.

Joshua Winget (jncwinget@aol.com) from Los Angeles, USA - 24 June 1999

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