Factotum



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Matt Dillon Henry Chinaski
Lili Taylor Jan
Marisa Tomei Laura
Fisher Stevens Manny
Didier Flamand Pierre
Adrienne Shelly Jerry
Karen Young Grace
Thomas Lyons Tony Endicott
Dean Brewington Old Black Man
James Cada Bald Man
James Michael Detmar Smithson
Kurt Schweickhardt Ice Plant Supervisor
Dee Noah Hank's Mother
James Noah Hank's Father
Michael Egan Taxi Office Clerk

Plot Keywords: 
Taglines: 
1: What matters most is how you well you walk through the fire.
2: What matters most is how you well you walk through the fire.
3: What matters most is how you well you walk through the fire.
4: What matters most is how you well you walk through the fire.

72 Comments »

    Pages: [15] 14 13 12 11 10 9 8 7 6 51 »

  • "Chinaski, you're fired"

    Like two years ago saw for the very first time this film, Bent Hamer's
    Factotum, and I just loved it. Now having been reading Charles
    Bukowski's 1975 novel (started it last Wednesday and finished it
    yesterday) a couple of days Like two years ago saw for the very first
    time this film, Bent Hamer's Factotum, and I just loved it. Now having
    been reading Charles Bukowski's 1975 novel (started it last Wednesday
    and finished it yesterday) a couple of days Bent Hamer's Factotum, and
    I just loved it. Now having been reading Charles Bukowski's 1975 novel
    (started it last Wednesday and finished it yesterday) a couple of days
    I just loved it. Now having been reading Charles Bukowski's 1975 novel
    (started it last Wednesday and finished it yesterday) a couple of days

    eric_xoloitzcuintle from Mexico City - 14 June 2009
  • This film was better when it was called 'Barfly'

    Clearly this film was made for a newer generation that may or may not
    have had an inkling of Charles Bukowski's work. The autobiographical
    Henry Chinaski character in Bukowski's stories was brilliantly
    portrayed to perfection by Mickey Rourke in 1987's 'Barfly', also
    starring Faye Dunaway. Anyone who has seen 'Factotum' should certainly
    see 'Barfly' to get a better look at how Bukowski wrote his character.
    'Factotum' lacks the greasy seediness of Bukowski's screenplay and the
    fearless hopelessness of his loner hero. The inadvertent humor that
    bubbles through in the dark desperation of Chinaski's misadventures
    doesn't work for Dillon as it did so admirably for the overweight
    filthy blood-soaked Rourke. Rourke's character makes the pain and
    pleasure of the previous night's misbehavior a place-setting for yet
    another grueling ugly day in the life of a drunken misanthropic unknown
    writer. Dillon's character misses these marks in favor of a strutting,
    handsome, relatively clean-looking wanna-be writer that scarcely passes
    for any moment in that of Chinaski's story. Dunaway's sleazy heroine
    Wanda is the perfect complement to the ne'er-do-well Henry. The women
    in 'Factotum' can't hold a candle to Dunaway's 'distressed goddess' and
    the use of more profane sexual subject matter in 'Factotum' proves to
    be more of a crude distraction than a tip of the hat to Bukowski's raw
    and unapologetic portrayals of dysfunctional relationships. I was
    stunned at how many of the exact same scenes were used in 'Factotum'
    (Marisa Tomei buying all the stuff and charging it to the old man is an
    exact rip-off from 'Barfly').If you want to see the best Bukowski stories on film, see 'Barfly' and
    'Love is a Dog From Hell' (which also goes by the title 'Crazy Love').

    mtelford from United States - 17 May 2009

Pages: [15] 14 13 12 11 10 9 8 7 6 51 »

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