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Waking the Dead is a 2000 American drama film directed by Keith Gordon. The screenplay by Robert Dillon is based on the 1986 novel of the same name by Scott Spencer.

The film flashes back and forth between the 1970s and 1980s and centers on the relationship between Fielding Pierce, a young Coast Guard officer with political ambitions, and radical and idealistic Roman Catholic Sarah Williams, who is drawn to programs designed to better the lives of the underprivileged and has mixed feelings about his career goals.

In the opening scene, Fielding sees a television news program reporting Sarah's death in a Minneapolis car bombing following a church-organized excursion to Chile to feed the poor and organize resistance to the oppressive right-wing government. He never quite recovers from the news, and he finds himself increasingly haunted by the past, in which the couple were as romantically close as they were politically apart, divided by his desire to work within the system and her conviction that it's the root of all evil. His obsession with Sarah slowly puts his career, forthcoming marriage, and sanity in jeopardy.

The question of whether or not Sarah actually was killed remains unresolved as Fielding's sister Caroline reports having seen her on the street some years later and Fielding himself supposedly meets her after being elected to the United States Congress, only to wonder afterwards if she merely was a hallucination.

Principal cast

• Billy Crudup as Fielding Pierce
• Jennifer Connelly as Sarah Williams
• Hal Holbrook as Isaac Green
• Janet McTeer as Caroline Pierce
• Paul Hipp as Danny Pierce
• Molly Parker as Juliet Beck
• Sandra Oh as Kim

Production

The film was shot in Montréal, Québec with a budget of USD $8.5 million. The character portrayed by Ed Harris was eliminated from the completed film, although he is seen briefly on a television screen. Sandra Oh appears in one short scene and has little dialogue; a longer scene with her was deleted but is included as an extra feature in the DVD release.

Soundtrack

• "Snow Come Down" performed by Lori Carson
• "A Case of You" performed by Joni Mitchell
• "Maggie May" performed by Rod Stewart
• "Help Me Somebody" performed by Brian Eno and David Byrne
• "Mercy Street" performed by Peter Gabriel

Reception

Waking the Dead debuted at the Sundance Film Festival in January 2000. It opened in Brazil one week later and Austria in February and was shown at the Santa Barbara International Film Festival in early March before going into limited release in North America later that month. It went on to gross $327,418 in North America, well below its budget.[1]

In his review in the New York Times, Stephen Holden said, "In falling short of its goal, the movie raises the question of whether it's possible to film an intelligent tear-jerker that prompts us to think and cry at the same time. Or are serious suds and serious ideas a cinematic oxymoron? At its best, Waking the Dead suggests an intellectually upscale answer to Love Story. At its weakest, it comes off as a stiff, muted exercise in countercultural nostalgia . . . [it] makes a terrible mistake by continually and abruptly cutting back and forth between the 70s and the early 80s. The movie is forever stumbling over itself and breaking its own spell. At exactly the moment it begins to draw us in to one of its stories, it makes another leap, and the mood is broken. Because it barely distinguishes between the two decades, the flashbacks have none of the resonance of treasured memories."[2] Roger Ebert of the Chicago Sun-Times said the film "has a good heart and some fine performances, but is too muddled at the story level to involve us emotionally. It's a sweet film. The relationship between Sarah and Fielding is a little deeper and more affectionate that we expect in plot-driven melodramas."[3] In the San Francisco Chronicle, Mick LaSalle called it "a film teeming with riches. One of the most powerful romances of recent years, it is as generous as they come . . . an intelligent tale told with go-for-broke passion . . . Crudup and Connelly are splendid together . . . Waking the Dead gives us acting at its biggest and most beautiful."[4]

Awards

Robert Dillon was nominated for the Independent Spirit Award for Best Screenplay but lost to Kenneth Lonergan for You Can Count on Me.

Historical Events

There actually was a car bombing on American soil that resulted in the death of a prominent Chilean dissident. In 1976, in Washington D.C., Orlando Letelier and his American assistant, Ronni Moffitt, were both killed by a remote-controlled car bomb set by Chilean operatives.[5]

26 Comments »

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Great series, but I'm glad I don't work for Boyd

Yet more proof that the Brits just do police procedurals better than
the Yanks. Three-dimensional characters, claustrophobic sets and great
ensemble acting seem like a pretty good place to start; and not talking
down to your audience helps too.Trevor Eve is excellent as the principled, irascible head of a
cold-case team made up of diverse personalities; and the 2 x 1-hour
format lets the cases unfold with a bit more leisure than the 60-minute
special, while also allowing for the compulsory cliffhanger in the
middle.A minor criticism of the show is their use of the "talking over each
other" gimmick, where everybody bursts into voice at the same time. At
first it seemed like a kind of cinema-verité style but, a bit like the
quick-cut filming in NYPD Blue, it becomes intrusive when you notice it
happening. I also wish they'd develop the Spence character a bit more -
he's been there since the beginning, but I still don't feel like I know
him very well.But they're minor flaws and, given the choice between this and one of
the myriad CSI shows, I know which one I'd choose.

winstonfg from Belgium - 15 January 2009

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